Pictures of Amazing Creations By Patricia Piccinini.
The bizarre, ghostly, and seemingly lifelike artworks of Patricia Piccinini. One of the most well-known Australian contemporary artists.
Piccinni, who graduated from the college of fine arts in painting and economic history, has a wide array of interests. These ranging from sociology to technology and computer graphics.
In addition to painting, sculpture, video, sound and digital prints, she works with various media.
To show appreciation towards her art, we have compiled her most significant and controversial works of art, which can inspire and motivate anyone, no matter their artistic discipline and no matter the boundaries between “disturbing” and “ethical issues.”
Patricia Piccinini’s creepy and astonishingly lifelike sculptures make Vancouver their home recently.
Like A Young Family, Patricia Piccinini’s surrealist figures are crafted to provoke a range of reactions.
Images of Patricia Piccinini’s surrealist works.
In 1972, Patricia Piccinini and her family moved to Australia. In Melbourne, she enrolled in art school after studying economic history.
Piccinini is a painter, sculpture, video artist, musician, installation artist, and digital artist. The distinctions between the natural and the artificial are something she enjoys exploring. Genetic engineering and other forms of biotechnology, which underpin modern science, seem to be fascinating to her.
A virtual hybrid ‘creature,’ LUMP (Lifeform with Unevolved Mutant Properties), was created when the Mutant Genome Project (TMGP) (1994) used software.
According to the artist, “LUMP is part human flesh, part biotechnology, part popular culture, and part marketing. It is unlovable to some, but the apple of its mother’s eye to others.” ‘LUMP’ is the product of the perverse marriage of television advertising and basic engineering principles.
A shiny plastic infant appears again in Psychotourism (1996), a computer-generated photograph that shows the infant being protected and sheltered by its human mother.
Another virtual creature appears in Social Studies (2000). Plasticology, a multiscreen installation produced for the 1999 Melbourne International Biennale (1999) and Sydney’s 1997 Perspecta. Imaginary forms invented by Piccinini are both inherently attractive and repellent.
Another strange pairing can be seen in Car Nuggets: They’re good for you (1998) and Truck Babies (1999). In pretty pastel pinks and baby blues, fibreglass is used for the latter, compact and streamlined vehicles. Car Nuggets come from a similar spawning process.
In terms of perfectionism, Piccinini enjoys ambiguity and fiction. She believes that the contrasts and relationships between the natural, organic and constructed worlds show the potential of humans combining with technology.
More Info: Patricia Piccinini
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